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Leila Farzaneh was born in 1972 – Tehran

Entrance to the School of Cultural Heritage Restoration of Antiquities 1990

Bachelor of. Painting Azad University 1992

Master of Arts Research, Azad University 2015

Leila Farzaneh chose ceramics as a media of conversation with the art world after entering university and studying art in search of expression and media for her artistic ideas. The pure sense of touching the soil and part of it is the inner and eternal passion in human nature that Farzaneh relied on to create his work. Iranian culture and literature is full of references and propositions referring to the inextricable link between human and soil, the cycle of creation and return to the dust of the soil, in fact inspiring Leila Farzaneh’s fascinating art creation. Believing that construction methods have evolved over the years, he has created a space for experimentation and innovation in design and color in his work. Traditional ceramics have been produced in a range of 7 colors, and Farzaneh, who has always sought modern expression in his work, adopts innovations in the way he produces, designs and uses his works. By observing the vacuum of the art’s presence in the surrounding environment, she centered her activities on the return of ceramics to modern life. She first started with the idea of making ceramic and functional utensils, then building tiles and decorative elements in architecture, then adding decorative objects including mirrors, chandeliers and chairs and chairs to his collection. It took several years to design and develop the collection, and along the way Hossein Memar pouri (1345), Leila Farzaneh’s wife, played a major role in introducing and developing these products as business manager .